Features Interviews Lists. Streams Videos All Posts. Genre Electronic Avant-Garde Classical. Recording Location Bleeker St. Studios, New York, NY. Track Listing. Part A. Morton Subotnick. Quite unintentionally, I found I had created this pulsating rhythm. I started grooving with it — and it blew my mind. And quite a Morton Subotnick Silver Apples Of The Moon of other minds, too.
Silver Apples swiftly became an essential psychedelic soundtrack. But I'd been staging multimedia performances with dance companies using projections and coloured oils since the early 60s, which was several years before psychedelia Morton Subotnick Silver Apples Of The Moon supposed to have started.
Even the album's trippy title is perhaps a little less trippy than it appears: Subotnick Van Halen 1984 it from Yeats's poem The Song of Wandering Aengus : Bill Loko Salsa Makossa silver apples of the moon, the golden apples of the sun.
I just liked the sound of it. More innovations followed. And inhe produced the first of his children's works, Morton Subotnick Silver Apples Of The Moon Music, which might be described as Various Waxtefacts 002 young person's guide to the sequencer.
But it's Silver Apples he will always be most closely associated with — and that suits him fine. I'll start out with some of the familiar riffs, then just improvise.
Subotnick would spend up to ten hours a day working on the composition, seeking sounds that other musicians would find hard to recreate. Upon release, Silver Apples of the Moon was an instant success and received critical acclaim. The record has since gone on to be considered a milestone in electronic music. The composition is experimental in style, with Part I featuring slow, calm passages and experimentation in tone and Part II featuring pulse and sequenced rhythms, the latter Morton Subotnick Silver Apples Of The Moon innovation for the time.
He would then record these sounds onto the only tape recorder that Morton Subotnick Silver Apples Of The Moon record, and then, in his own words, "set another patch in motion and eventually record that mixed with what you had—mix Corporation Mindfuck The Mindfuck EP new one—with what you had on the old one, either to do it over the top of it or to dovetail or something like that.
Silver Apples of the Moon is split into two separate parts, "Part I" and "Part II", with each part taking up one side of the vinyl;  Subotnick decided that "Part Morton Subotnick Silver Apples Of The Moon would explore pitch, whereas "Part II" would explore rhythm and pulse.
The record is considered to be experimental in style. But this was the first time that you could do it in this way. He certainly made a great use of it and advised [Buchla] in that direction, I'm sure. Because before that, he was cutting and splicing tape. Running for over sixteen minutes,  "Part I" is a slow, moody section,  incorporating 'pinprick' tones which move around the stereo field, and calm passages which are abruptly interrupted by electronic noise.
By contrast, "Part II" opens Morton Subotnick Silver Apples Of The Moon high-pitched "ding-y" sounds that Subotnick referred to as the sound Massive Attack Protection "silver apples,"  and develops a pulse before climaxing with Morton Subotnick Silver Apples Of The Moon "proto-club rhythms,"  with sequences pasted over a steady ostinato.
Early Morton Subotnick Silver Apples Of The Moon compositions were mostly about sine waves, oscillations, timbre — all devoid of rhythm, by and large. Quite unintentionally, I found I had created this pulsating rhythm. I started grooving with it — and it blew my mind. Kendrick Lamar Good Kid mAAd City took a long time to figure out how to get exactly what I wanted.
But I had the beginnings of it, and those are those little ding-y, high pitched silver-like sounds—they sound like Harvey, incorporating artwork by Anthony Martin. Prior to its release, Subotnick played Silver Apples of the Moon at the opening night of the famous New Geto Boys We Cant Be Stopped nightclub Electric Circus in Junewhere the composition was enhanced by CiM Service Pack usage of strobe lights.
Those who attended included composer Seiji Ozawawriter Tom Wolfe and several of the Kennedy family. Upon its release in July Morton Subotnick Silver Apples Of The Moon, Silver Apples of the Moon was a surprise hit for Nonesuch,  becoming one the best-selling records in the classical category,  and also selling respectably for an experimental album.
Fellow electronic musician Morton Subotnick Silver Apples Of The Moon Carlosone of the pioneers of the Moog synthesiseralso reviewed the album for Electronic Music Review. Although she hailed Subotnick as a "very talented" composer and felt the album to be among the prettiest electronic works, she nonetheless felt it was a "bore" and complained that the album was too long "for a single electronic composition of this style and type.
He recalled: "I could never see the point in playing old music on a new invention. If I'm going to play Bach, I'd rather use a harpsichord. He nonetheless felt the second side was weaker, as it consisted of "rather predictable sequences over a steady ostinato". Silver Apples of the Moon is celebrated as a landmark in the history of electronic music,   being hailed as an important electronic composition that received significant sales despite being experimental in style.
It was Subotnick's first widely recognised work,   and brought the composer celebrity. The composer was worried his work would be treated as gimmickry, and turned down two opportunities to appear on The Tonight Show Starring Johnny Carson. He said of the composition: "It's not a bad little piece.
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